The Renowned Filmmaker discussing His Latest War of Independence Project: ‘We Won’t Work on a More Important Film’
The veteran filmmaker is now considered more than a documentarian; he represents an institution, a one-man industrial complex. When he has documentary series premiering on the television, everyone seeks his attention.
Burns has done “an astonishing number of podcasts”, he remarks, nearing the end of his extensive publicity circuit featuring 40 cities, 80 screenings plus countless media sessions. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”
Happily the filmmaker is incredibly dynamic, as loquacious behind the mic as he is prolific during post-production. The 72-year-old has appeared at locations ranging from Monticello to The Joe Rogan Experience to discuss his latest monumental work: his Revolutionary War documentary, a monumental six-part, 12-hour documentary series that consumed the past decade of his life and arrived currently through the public broadcasting service.
Defiantly Traditional Approach
Comparable to methodical preparation in today’s rapid-consumption era, The American Revolution proudly conventional, more redolent of traditional war documentaries as opposed to modern streaming docs and podcast series.
However, for the filmmaker, who has built a career chronicling strands of US history covering diverse cultural topics, the nation’s founding represents more than another topic but essential. “I said this to my co-director Sarah Botstein during our discussions, and she shared this view: we won’t work on a more important film Burns contemplates from his New York base.
Massive Research Effort
The filmmaking team plus scripting partner Geoffrey Ward drew upon numerous historical volumes plus archival documents. Multiple academic experts, representing diverse viewpoints, contributed scholarly insights in conjunction with distinguished researchers from a range of other fields such as enslavement studies, first nations scholarship plus colonial history.
Signature Documentary Style
The style of the series will seem recognizable to devotees of The Civil War. The unique approach incorporated methodical photographic exploration across still photos, abundant historical musical selections featuring talent voicing historical documents.
This period represented the filmmaker cemented his status; a generation later, currently the elder statesman of documentary filmmaking, he seems able to recruit virtually any performer. Collaborating with the filmmaker during a recent appearance, renowned playwright Lin-Manuel Miranda noted: “A call from Ken Burns commands immediate acceptance.”
All-Star Cast
The extended filming period proved beneficial in terms of flexibility. Sessions happened in studios, at historical sites through digital platforms, an approach adopted during the pandemic. Burns explains working with Josh Brolin, who scheduled a brief window in Atlanta to voice his character as the revolutionary leader before flying off to subsequent commitments.
Additional performers feature numerous acclaimed actors, respected performing veterans, emerging and established stars, multiple generations of actors, accomplished dramatic artists, Damian Lewis, Laura Linney, Tobias Menzies, versatile character actors, television and film stars, plus additional notable names.
Burns adds: “Truly, this might be the most exceptional group recruited for any project. Their contributions are remarkable. Selection wasn’t based on fame. I got so angry when somebody said, regarding the famous participants. I explained, ‘These are artists.’ They represent global acting excellence and they vitalize these narratives.”
Nuanced Narrative
Still, the absence of living witnesses, photography and newsreels forced Burns and his team to rely extensively on historical documents, weaving together individual perspectives of multiple revolutionary participants. This allowed them to show spectators not just the famous founders of the founders but also to “dozens of others crucial to understanding, several participants lack visual representation.
Burns also indulged his personal passion for territorial understanding. “I have great affection for cartography,” he notes, “with greater cartographic content throughout this series versus earlier productions I’ve done combined.”
Worldwide Consequences
The team filmed across multiple important places throughout the continent and in London to preserve geographical atmosphere and worked extensively with re-enactors. All these elements combine to present a narrative more violent, complex and globally significant versus conventional understanding.
The revolution, it contends, was no mere parochial quarrel over land, taxation and representation. Rather, the series depicts a brutal conflict that finally engaged multiple global powers and unexpectedly manifested described as “the noble aspirations of humankind”.
Civil War Reality
What had begun as a jumble of grievances leveled at London by far-flung British subjects in 13 fractious colonies quickly evolved into a vicious internal war, dividing communities and households and neighbour against neighbour. In one segment, academic Alan Taylor comments: “The primary misunderstanding regarding the Revolutionary War centers on assuming it constituted a consolidating event for colonists. It leaves out the reality that colonists battled fellow colonists.”
Nuanced Understanding
For him, the independence account that “for most of us is overwhelmed by emotionalism and wistful remembrance and remains shallow and doesn’t have the respect for what actually took place, and all the participants and the widespread bloodshed.”
The historian argues, an uprising that declared the transformative concept of the unalienable rights of people; a brutal civil war, separating rebels and supporters; plus an international conflict, the fourth in a series of conflicts between Britain, France and Spain for dominance in the New World.
Unpredictable Historical Moments
Burns also wanted {to rediscover the